A career spanning the last 25 years has given me a solid set of computer graphics skills to rely on.  I enjoy contributing in whatever way the job requires.  My production expertise is expansive and atypical.  Whether it is creating production ready pipelines and assets or contributing on shots, I thrive on producing.

Bryan Chavez Demo Reel 

Hong Kong Disneyland's 20th Anniversary Celebration: Party In The Night Sky -
​CG Supervisor

  • Directed a cross-functional team of artists to develop stylized media sequences mapped to the castle and Main Street USA
  • Oversaw look development, animation, and compositing to unify classic and contemporary Disney IP into a cohesive celebratory visual narrative
  • Worked closely with pyrotechnic designers and show directors to synchronize visuals with fireworks timing and drone-based effects
  • Led technical pipeline planning, media delivery, and on-site mastering to ensure pixel-perfect projection alignment across complex surfaces
  • Oversaw the photogrammetry-to-3D pipeline, leading accurate digital reconstruction of museum architecture and exterior spaces using point clouds and LIDAR data
  • Led on-site installation and mastering of projection media, collaborating directly with the Hong Kong Disneyland technical and creative teams for flawless integration and show execution

Disneyland’s 100th Anniversary Celebration: Wondrous Journeys - CG Supervisor

  • Served as CG Supervisor for Wondrous Journeys, the flagship nighttime spectacular celebrating Disney’s 100th anniversary at Disneyland
  • Led the development of high-resolution projection media mapped to Sleeping Beauty Castle, Main Street USA, Small World and other architectural landmarks
  • Supervised a team of artists and technical leads to deliver stylized, multi-film sequences honoring Disney’s animation legacy
  • Oversaw the look development, lighting, and compositing workflows to ensure consistency across diverse visual styles and character pipelines
  • Collaborated closely with show directors, media producers, and on-site tech teams to align creative vision with projection mapping constraints
  • Responsible for on-site final mastering to guarantee seamless integration across castle, rooftops, and surrounding park environment

Sea World Abu Dhabi:  Hypersphere 360 - CG Supervisor

  • Managed a cross-disciplinary team of artists, animators, and technical directors to deliver high-resolution media for a custom 17K dome projection system
  • Led ride programming animation using a custom pipeline that bridged Maya and Unreal Engine. Animations were authored in Maya, reviewed in VR using Unreal for spatial and timing accuracy, then exported to the ride control system via a custom script for seamless handoff to the on-site programmer.

The National World War II Museum: Expressions of America - CG Supervisor

  • CG Supervisor for Expressions of America, a large-scale nighttime media experience at the National WWII Museum, blending archival storytelling with projection-mapped environments
  • Supervised a multidisciplinary team of 3D artists, compositors, and technical directors to ensure cohesive visual quality and on-time delivery

Disney World Magic Kingdom: Happily Ever After - CG Supervisor



  • Part of the original media team, overseeing the development of projection-mapped animation on Cinderella Castle and surrounding facades
  • Led look development, animation, and compositing to bring beloved Disney stories to life in a dynamic, architecturally integrated format
  • Directed technical pipeline planning and asset delivery across complex projection surfaces, ensuring seamless spatial alignment and playback
  • Returned as CG Supervisor for the show’s 50th Anniversary update, leading content revisions and new media integration while preserving the emotional tone and visual style of the original
  • Collaborated closely with Imagineering, show directors, and the on-site team during both initial installation and anniversary re-launch to ensure creative and technical excellence

NASA's Kennedy Space Center: Gateway to Space - CG Supervisor

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  • Developed a custom production pipeline integrating Terragen and Maya to create large-scale, high-fidelity planetary environments optimized for dome projection
  • Led world-building using Terragen, Gaea, and World Machine to generate procedurally detailed terrains, atmospheres, and cosmic landscapes
  • Directed a cross-disciplinary team of artists and technical leads to deliver cohesive, visually striking sequences across multiple narrative ride experiences
  • Oversaw look development, lighting, and rendering workflows tailored to a 180° dome lens and curved projection surface, ensuring immersion and clarity from every seat
  • Collaborated closely with NASA consultants, media producers, and attraction designers to align visual storytelling with scientific accuracy and ride system constraints

Disney World Magic Kingdom:​ Mickey's Not So Spooky Halloween Party - CG Supervisor, Lead Artist

  • Responsible for on-site master comp.  
  • Designed and executed a 6-camera markerless motion capture stage for full-body performance capture
  • Directed and captured live-action performances for integration into the skeletons and ghosts characters
  • Developed custom character rigs in Maya for both skeletons and ghostly dancers. Primary motion was driven by motion capture, with layered detail and secondary animation integrated directly into the rig systems.  

Chirped - Director, CG Supervisor

Written by and starring Kirk Fox. 

​This story is about a man, choices, and a cricket.    
What choice would you make?
Where would it lead you?
Where does it lead Kirk?